Alex Webb, “US/Mexico Border (San Yisidro, CA),” c-print, 1979
I eagerly awaited the premier issue of Photography & Culture for so long that the new journal—edited by longtime favorites Val Williams, Alison Nordstrom, and Kathy Kubicki*—completely slipped my radar. The $40 price tag** also prevented me from pestering my local bookseller about the impending release date. This morning I was excited to learn that Berg Publishers has made the entire journal available free online, and my early impressions are very favorable. In their introductory letter, the editors state their intentions to “challenge the traditional language and mind-set of art history,” while fostering “new investigations of photographs.”
Photography has never been more interesting than it is today. Regarding this medium as it enters a state of ﬂux, we are equally transﬁxed by the possibilities and implications of its technological advances, yet constantly refer to its past as we contemplate the ever renewing fascination with the archive. Photography & Culture will look at photography as an integral part of our contemporary culture, asking questions about a medium which, more than any other, illustrates our world, as well being a conduit for our imaginations, a provider of evidence and information and, at times, a kind of magic. It may also be a destroyer of illusions and a purveyor of horror.
Highlights from the table of contents include Shinrei Shashin: Photographs of Ghosts in Japanese Snapshots by Richard Chalfen, archival photographs of Ernest Shackleton’s ill-fated crew, and Geoffrey Batchen’s review of Dutch Eyes: A Critical History of Photography in the Netherlands. Hopefully, the editors will be able to maintain a critical tone that is academically rigorous yet vigorously readable, so that these rich topics germinate outside the confines of museum and university libraries.