Peter Brown, “Snapping Turtle Sunning on the Road, Sand Hills, Nebraska,” C print, 2005
The Fall/Winter issue of SPOT arrived today, sporting a cool cover from emerging Houston artist Ariane Roesch. The Houston Center for Photography‘s twice-yearly mag is a critical and sentimental favorite, so I’m pleased to be included in the new issue with a review of Peter Brown and Kent Haruf’s collaborative ode to the High Plains, West of Last Chance. The review has been added to the Selected Writings section of this site, but I encourage everyone to hunt down an actual copy of this handsome photography magazine for themselves.
While West of Last Chance never set off to be an encyclopedic record of the region (the Midwest’s penitentiaries, army bases, cookie-cutter suburbs, and migrant workers are among the absent), Brown and Haruf depict a sort of lyric taxonomy in their subjects: Hand-painted signs, pickup trucks, superhighways and gravel roads, Wal-marts, grain elevators, crosses, high school mascots, diners, swallows, post offices, cattle, and mechanics all coalesce into an ambiguous geography of unequivocal alone-ness. In one lonely Nebraska highway scene, Brown presents a suitcase-sized tortoise, camouflaged by the baked sandy asphalt of the roadway he paddles across, like a holdover apparition from the Plain’s Paleolithic era.